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I am extremely averse to theater, because I don't want to see a simulation of life. So I don't consider myself to be performing in the sense that we understand "acting" or staging.But I DO find that the entire thing is about performance, in terms of what in German is the word Leistung.Next day, June 28, "Super-Embodiment of Woman Artists in Media Arts" was presented by Irina Aristarkhova, Nina Czegledy and Elena Kovylina.Irina noted in her introduction that "Nudity and the Nude - have become key issues in contemporary art, theory and politics.And I do have a certain public persona that is in the work (and probably in my teaching as well).
On June 27, Anne Nigten of V2 lectured on "Research and development in the interdisciplinary field from an art perspective" followed by Dmitry Bulatov on "The third modern - denuding the media.1001 NIGHTS CAST News: THE THREE-QUARTER MARK; YOUR SAY; MOVING TIMEZONES; LONDON WORKSHOP.THE THREE-QUARTER MARK: Sometime between tonight's performance (#750) and tomorrow's I will pass the three-quarter mark of the project.Since the two-third mark back in April, I'm very honoured to have performed stories by these new contributors to the project: Jordan Peimer (LA), Peter S.Petralia (London), Catherine Lord (LA), Adrian Heathfield (London), Sara Jane Bailes (Bristol), Karen Christopher (Chicago), Rinne Groff (NYC), Rebecca Schneider (NYC), Tony White (London), Geoffrey Batchen (NYC), Trevor Smith (NYC), Kate Mc Intosh (Brussels), Michael Grosberg (NYC), Hannah Chiswell (UK), Angela Piccini (Bristol), Lina Saneh (Beirut), Thalia Field (Paris), Alisa Lebow (London), Jane Gleeson-White (Sydney), Robin Bale (London), Branislava Kuburovic (Prague), Lara Pawson (London), Matias Viegener (LA), Kathryn Ryan (Sydney), James Tierney (Portland), Linda Dement (Sydney), Agnes Kocsis (London) and Nicholas Royle (London).
DIY 4 is part of Joining the Dots, a Live Art Development Agency initiative supported by the Esme Fairbairn Foundation and the Calouste Gulbenkian Foundation.