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“There were a lot of times where we would just laugh at each other—not because of the content, but because we were both struggling to show up and make it believable. ’”This is a movie that comes at a pivotal time when the media and entertainment industry is focused on exposing abusive men in positions of power. But Stan hopes that some of the more brutal scenes help spark a conversation about this revolution against the patriarchy.“It would be a very lonely world if you, as a man, had to resort to that kind of behavior in order to feel value, in order to feel like you’re taken seriously. “It’s clear to me that only someone who feels extremely emasculated could possibly behave like that. Now is the time more than ever for us to review what masculinity is about.Violence has always been unfortunately embedded in masculinity, this alpha thing., a film that propelled one of the biggest movie franchises in modern history and Stan’s own career.Since that first Captain America film, he’s repeated the role in its two sequels; he’s also slated to appear in the upcoming , which began filming earlier this year.Next, he’s working on an Los Angeles-set film noir from director Karyn Kusama, one in which he and Nicole Kidman play undercover cops who infiltrate a cult.
While examines the athlete’s life and career with a wide lens, its most intimate moments—shared between Stan and Robbie—are at times the most harrowing.I don’t think it’s anything that he wants to talk about.”Yet the Tonya Harding saga, all these years later, is still something a lot of people really do want to talk about., which takes a surprisingly comic approach to the figure skater’s life story, is framed by interviews with its leading players.Presented as talking heads in a faux-documentary, Margot Robbie’s Harding, Stan’s Gillooly, and Allison Janney’s La Vona Fay Golden (Harding’s mother) take turns narrating the larger story of Harding’s rise and fall—and then another rise and fall—in competitive figure skating, culminating in Harding’s ultimately disappointing performance in Lillehammer and her ban from the United States Figure Skating Association.-style take on a salacious tabloid story attempts to show that, beyond the media frenzy that abused Harding’s image and laid the groundwork for what became our exhausting and overwhelming 24-hour news cycle, the story of the events are still somewhat complicated. I mean, It’s bullshit,” Robbie’s Harding says in the film.At times a villain, at times a hero, Stan’s Barnes represents the spectrum of good and evil, where men have the ability to do great or terrible things.That Marvel character has acted as a base for Stan to jump into more serious drama like The film comes at a key moment in Stan’s own career in which the success of the Marvel movies have given him the opportunity to explore more challenging projects like this.
“I don’t know when—knock on wood—that would be an amazing experience,” he says. It’s so convincing that Mark Hamill even started referring to Stan as “his son.” “I feel like I have some sort of his blessing,” Stan says.